Monitoring:
Workstation/Routing:
Analog Equalization:
Analog Compression:
Analog Harmonics:
Analog Recorder/
Reproducer:
Digital Source
Playback Systems:
Dithering Options:
Sample Rate Conversion:
AD/DA Conversion:
House Clock:
Metering:
Power:
Acoustics:
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 Dunlavy SC-V
Pass Labs amplification
Sequoia 24/192 mastering host
Dangerous Music transfer console containing:
 Dangerous MQ
Dangerous Monitor
Dangerous Master
Lynx AES-16SRC Audio Interface
Noah Brodsky custom XLR routing
GML 9500 Mastering EQ
Manley Massive Passive Tube Mastering EQ
Manley Vari-Mu Tube Mastering Compressor (Modified)
Requisite Audio L2M Mark II Tube Mastering Limiter (Modified)
Tube Tech SMC-2B Tube Multiband Compressor
Maselec MDS-2 Hi-Freq Limiter/De-Esser
SPL Tube Vitalizer Multiband Harmonic Enhancer
ATR Service Co. Ampex ATR-102 with the following:
1" Flux Magnetics Headstack
1/2" Flux Magnetics Headstack
1/4" Ampex Headstack
Custom Aria electronics
Stock Ampex electronics
Tascam 102 MKII Cassette Deck
Mastering Host DAW
HHB 830+ AES/WC CD Transport
HHB MDP-500 AES/WC Minidisc Deck
Panasonic SV-3800 DAT
Panasonic SV-3700 DAT
Alesis Masterlink
Alesis ADAT (blackface)
Cranesong Analog Dither
Weiss POW-R
Apogee UV22
MBIT+
Weiss SARACON
Cranesong HEDD-192
Lavry Blue 4496-16
Apogee PSX-100 SE
Apogee Big Ben
Dangerous Music MQ (Analog/Digital metering)
Dorrough analog loudness meter 40-A (stereo)
Pinguin Audio FFT, RTA, PPM, RMS, and Bit Meter
Host workstation metering
Furman balanced power throughout
Room tuning & acoustics by Bob Hodas Acoustics
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